Is it possible to become a model with a height of 165. Short models: the best short models, show conditions, clothing styles and a successful career. Ideal parameters, history

Today we would like to introduce you to a girl who, despite her initially weak data for the modeling business (height 165 cm), did not give up and proved to herself and others that she can cope with the job no worse, and even better than others. She proved this in photo shoots and advertising in the world of modeling. Please love and favor - Irina Pushkareva, model of the glorious Moscow agency with a long history of Z’S Models.

Ira, hello! Tell me something about yourself.

- Hi all. I'm 16 years old and I'm quite an ordinary girl? At the moment I am studying at a pedagogical college in the choreography department. After ninth grade, I decided to leave school - I realized that I wanted to do what I liked. Moreover, I dreamed of devoting more time to the modeling business. By the way, I can say that I started my modeling career at the age of 13. For a long time I tried to persuade my parents to let me try myself in this field, asked to send me to a modeling school - they gave up and, after going through many options, we settled on the Slava Zaitsev Model House. I’ll say right away that it wasn’t easy. The two-month training, during which I had to learn everything that a walking professional should know, was at the same time one of the best experiences of my life, and one of the most difficult - constant high heels, these experiences regarding my own growth - mine at that time 163 cm did not mount very well with the 175 cm of my colleagues?, the fear that I would not be able to show myself adequately at the graduation show - all this kept me in suspense. However, as it turned out, everything can be overcome. And here I am, one of the current models of such a worthy modeling agency. And here I would like to express my gratitude to my family and teachers - without them I would never have been able to achieve this.

Yes, indeed, a lot depends not only on the person himself, but also on his environment. But in the modeling business there are certain strict requirements, a canon, a standard, whatever you want to call it - I mean parameters - without them, it is difficult to achieve success. There are very few exceptions. How do you manage, despite your small stature, to stay afloat?

“Maybe what keeps me going is that I initially wanted to be a model, my dream.” I don’t know, but the teachers in kindergarten they told me that I would become a fashion model. And over time, their words seemed to come true. Plus, I initially understood that with my height the catwalk would not shine - that is, from the very beginning I was not faced with an impossible task in the modeling business. Yes, I was rejected many times at castings because of my 165 cm, but this did not undermine my faith in myself - honestly, I always knew that I was unlikely to succeed in the “language”. Although, of course, the podium and teamwork before the main passage is also a kind of thrill - flashes, light, beat, you are dressed in something unimaginable - the sensations you experience at this moment are unforgettable. However, be that as it may, and I would like to say this to many short girls, nothing in this life just happens, don’t be discouraged if you have shortcomings (and who doesn’t?) You need to treat everything with understanding.

Ira, but in general there are a lot of dirty rumors about the modeling business. And usually they simply persecute those who, for some reason, stand out from the crowd. What do you think about it?

- Oh, well, I somehow have a negative attitude towards all such conversations in the world of show business. In general, I am against dirt and gossip. I think that you just need to love your job, do it well, treat everything you do with reverence, and then everything will be ok.

But do you have any idols, people from the modeling business whom you would like to emulate, who inspire you?

- Yes, of course, where would we be without it? I can say that I have been a fan of Cara Delevingne for a long time. She is cool and her courage in her actions, her courage in the fact that she is not afraid to show all her actions and ideas on camera, surprises and inspires me at the same time. I also look with interest at the work of Coco Rocha - she is a wonderful mother, and she does her job incomparably. In general, if you asked me now what I want, I would answer: a master class from Coco and a personal meeting with Kara?

Ahah! Maybe they'll want to meet you someday too! Everything is ahead! Ira, tell us about your latest work in a modeling agency. What do you remember?

- Well, you can say that I somehow pleased the grandmothers of my yard. Once I demonstrated clothes in “Fashionable Verdict” - it couldn’t help but be remembered, of course. It was great to feel this magic of television that everyone talks about. From the last one, there was a “Personal Mannequin” commercial for a famous actress (who, by the way, I look like - perhaps you’ll understand who I’m talking about). My task was to become a doll, to portray a real mannequin. It was an interesting experience for me also because it was my first time filming in underwear. However, since real professionals of the Moscow modeling business worked with me, and the atmosphere was very friendly, it was very pleasant to work. In general, I now thought that I’m doing all this not even because of the money, but because the emotions that I get from the work I do are really important to me.

Ira, where do you see yourself in 5 years? Such a treacherous question, I understand, but still?

— Strange as it may seem, but for some reason I already see myself as a mommy. I absolutely adore children. Although, of course, I already have a lot of thoughts about this: to gain more knowledge and move to another country - I have always dreamed of living in Germany and Spain (maybe I’ll have the chance to work there). In general, we can say that I prefer not to think about what will happen next. Life presents various surprises, and it is better not to invent fairy tales for yourself in advance - let it be as it should be.

That's for sure. All the same, as they say, man proposes, but God disposes. Ira, what would you like to wish to girls who are not yet acting in advertising, are not in an agency, but only dream of being models?

— First of all, I want to say: girls, work on yourself. Achieve success, no matter what, in spite of everything! Don’t give a damn about your complexes, about your height, don’t be afraid to show your real selves in front of the camera, work with full dedication. And the success of the modeling business is guaranteed to you! However, at the same time, do not forget that you need to be very careful on your modeling path, since in this area, as in any other, there is deception and the risk of “running into” unpromising work. Therefore, consult with people who are professionals in their field. And the most important thing, no matter how trite it may sound, try to find something in yourself that could become your individual highlight!

with love, LAS VEGAS MODEL MANAGEMENT. Interviewed by Alina Sudakova

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There is a firm belief that in the fashion world there is absolutely no place for girls whose height is below 180 cm. At best, you can make a career as a designer or stylist, but not as a model.

Fortunately, this belief is wrong and talented short models are in demand on the catwalks of the world's leading fashion shows. And not only on the catwalks. You can become the face of a famous brand or participate in a shoot for a catalog.

Small exceptions to the rules

Girls who have achieved great success and recognition in the fashion industry do not always have tall height and ideal proportions. Indeed, there are catwalk stars whose height does not exceed 170 cm.

Probably the shortest is the famous British model Kate Moss. Her height is 168 cm, which is quite far from the model ideal. However, this did not stop Kate from one day becoming the highest paid top model in the world. She took part in shows for brands such as Calvin Klein, Louis Vuitton and Chanel.

Her short stature, only 171 cm, did not at all prevent the American model Charlotte Free from becoming the star of many world shows. In 2015, this little girl with pink hair opened the Chanel cruise collection show, and currently she is the face of Maybelline cosmetics.

Thumbelina of the fashion world

One of the brilliant models of the smallest stature can be called Devon Aoki - a girl with a bright exotic appearance and a height of 165 cm. Her career began at the age of 13, when the girl was accidentally noticed by the casting director of Calvin Klein. Her career in the fashion world was dizzying; the model repeatedly shone at Calvin Klein shows. Thanks to her unusual appearance (Devon is half Japanese, half American), the girl constantly receives invitations from the best fashion houses.

One of the most famous short models is our compatriot Anya Konstantinova. Despite her absolutely “non-podium height” of 163 cm, the girl became one of the most sought-after top models on the planet. She collaborates with several agencies at once, her photo adorns the covers of many fashion magazines.

Growth is not the main criterion

For young beauties dreaming of a career in the fashion world, it is important to know that tall height is not the only requirement made by casting agencies. Such qualities as photogenicity and good plasticity are extremely important, because for a winning photograph sometimes you need to freeze for a long time in an uncomfortable position. You need to be able to express any emotion that the photographer wants to see. And, preferably, do it easily and with pleasure.

Equally important is good physical fitness and endurance, because the work of a model can only superficially be called easy. Screenings last for hours, and preparation for them is often grueling.

And for a successful career as a model, you need to learn to perceive the world positively and with humor. The fashion world is quite harsh on beginners, and good mood can help overcome temporary difficulties.

Directions of the model's work

Despite the height criteria for models, short women are often invited to appear in catalogs of casual clothing and accessories. You can also try yourself in television commercials. Or think about participating in advertising for cosmetic products, where height is often absolutely not important, but mesmerizing glamorous photos are needed.

For a model with a short stature and a beautiful body, a career as a “lingerie” model may be suitable. Such famous brands, like Victoria's Secret, they invite girls with beautiful shapes and perfect skin to show. For example, the height of Alexandra Ambrosio, whose photo in a swimsuit often adorns the cover of the Victoria's Secret catalog, is only slightly more than 170 cm.

You can try yourself as a part model (from the English body part). This is a girl who demonstrates especially beautiful parts of the body: well-groomed hands, beautiful eyes with thick eyelashes or gorgeous hair. Such models are in demand in advertising jewelry and cosmetics , and growth there won't make any difference.

An example of success in this area of ​​the modeling business is Stacy Hannett, the owner of beautiful eyes with thick, voluminous eyelashes. She is more than in demand in filming advertisements for decorative cosmetics of world brands. Or Gemma Jay Sar, who is now 24 years old. Photos of her beautiful lips and mysterious smile adorn the pages of Tatler and M&S catalogs.

Fashion for graceful girls

Sometimes a petite girl just needs to choose the right clothes to become visually taller, while maintaining her slimness and fragility.

The optimal dress models for petite women are those made from weightless, flowing fabrics that accentuate the figure. A knee-length skirt looks good and will highlight slender legs.

It is a mistaken belief that short girls are not suitable for long dresses. How they fit! Just don’t choose fluffy outfits made of thick fabric; pay attention to fitted models with free-falling skirts made of soft fabric.

Ensembles with a v-neck and an emphasis on the waist look very harmonious on short models.

Petite girls don't need to be shy about wearing bright colors. Of course, the main thing is not to overdo it, but a bright, stylish raincoat or wrap dress in a current shade will not let you get lost in the crowd.

The main rule for choosing clothes is that they should fit your body perfectly. As long as the correct proportions are maintained, even if you are short, the choice of stylish clothing is unlimited.

In order to start a modeling career, only beautiful appearance and desire will not be enough. The first thing you need to do is find a good one professional photographer, which will help you take photos for your portfolio. It is better to contact several professionals, then the portfolio will turn out to be more interesting and varied.

For a beginning model, it is best to look for a photographer whose studio will help you apply the right makeup for close-up shooting. When taking a photo shoot on the street, an aspiring short model needs an angle in which her short stature will not be noticeable. And, of course, you should not take pictures next to people who are much taller.

When deciding which agencies to send your resume and portfolio to, you can include in the list those that photograph body parts or develop clothing and shoe catalogs.

It practically doesn’t matter how tall a girl is if she has a strong desire to make a career in the fashion industry. The modeling profession has many directions, and such a highlight as short stature can help you find your dream profession.

16K40RF3, 16R50F3, etc.

The plant has also mastered the production of modern turning machining centers with a number of coordinates from 4 to 8, CNC lathes of inclined 1P756DF3 and horizontal layouts, pipe processing machines 1A983, 1N983 - for processing the ends of pipes with a diameter of up to 460 mm, wheel lathes, roll lathes, machines for processing deep holes and etc.

History of the screw-cutting lathe 165

IN 1953 The first machine of the 165th series - model (processing diameter - Ø 1000 mm) was put into production.

Serial production of lathes: 1m65, 1n65.

165 Universal screw-cutting lathe. Purpose and scope

The screw-cutting lathe model 165 is designed for processing parts of medium and large sizes, in conditions of single and small-scale production. The machine can perform external and internal turning, including turning cones, boring, drilling and thread cutting- metric, modular, inch and pitch).

Specifications and the rigidity of the design of the machine bed, carriage, spindle allow full use of the possibilities of working on high speeds cutting using cutters made of high-speed steel or equipped with inserts made of hard alloys when processing parts made of ferrous and non-ferrous metals.

Operating principle and design features of the machine

The machine support has a mechanical movement of the upper part, which allows turning long cones. Turning of short tapers is also carried out by moving the upper part of the support.

Changing the feed rates and adjusting the pitch of the thread being cut is carried out by switching the gears of the feed box and adjusting the set of interchangeable gears.

The support has rapid movement in the longitudinal and transverse directions, which is carried out by an individual electric motor.

The machine is designed for processing ferrous and non-ferrous metals at high cutting speeds with cutters made of high-speed steel and hard alloys.

The closed feed box provides cutting of standard threads. Precise threads are cut using replaceable gears, bypassing the feed box.

Changing the spindle speed and caliper feed speed is carried out by switching the gears of the gearbox and feedbox using handles.

The tailstock is moved and the quill is extended manually by rotating the handwheels.

Machine accuracy class N. Machined surface roughness V 6.

The technical characteristics and rigidity of the machines allow full use of the capabilities of high-speed and carbide tools when processing both ferrous and non-ferrous metals.

Type of climatic modification - UHL4 according to GOST 15150-69.

Accuracy class - N according to GOST 8-82E.

Modifications of screw cutting lathe 165

165

1N65, 1N65F1, 1N65G, 1N65GF1– Ø 1000 universal screw-cutting lathe

16K50, 16K50P– Ø 1000 universal screw-cutting lathe

1658, 1658 – Ø 1000 universal screw-cutting lathe

RT28608, RT539, RT53901, RT732, RT366, RT731– Ø 1000 universal screw-cutting lathe

Workspace dimensions lathe models 165

Landing and connecting bases of lathe 165. Spindle

Spindle of screw-cutting lathe 165

Photo of screw-cutting lathe 165

Photo of screw-cutting lathe 165

Arrangement of components of a screw-cutting lathe 165

Location of the main components of the lathe 165

Specification of components of a screw-cutting lathe 165

1. Bed 1A64.01 - For RMC-2800; (165.21 For RMC-5000)
2. Front headstock - 165.02
3. Rear headstock - 165.03
4. Caliper - 165.041
5. Carriage - 165.05
6. Apron - 1A64.06
7. Feed box - 1A64.07
8. Replacement gears - 165.08
9. Cartridge - 165.09
10. Mobile rest 165.10
11. Cooling - 1A64.14
12. Fencing - 1A64.16
13. Chuck guard - 165.19
14. Fixed rest - 165.20
15. Electrical equipment - 165.80
16. Electrical piping: - 1A64.81 for RMC-2800 (165.81 for RMC-5000)

Location of lathe controls 165

List of controls for a screw-cutting lathe 165

1. Spindle speed setting knobs
2. Spindle speed setting knobs
3. Spindle speed setting knobs
4. Handle for setting normal and increased thread pitch
5. Handle for installing right and left threads
6. Handle for selecting the type of work (carving or feed) and thread type
7. Handles for setting the feed rate and feed pitch
8. Handle for setting the feed rate, thread pitch and directly turning on the lead screw
9. Handles for setting the feed rate and thread pitch
10. Handle for setting the type of work (carving or feed)
11. Stop button (duplicate)
12. Spindle “Back” button (duplicate)
13. Handwheel for manual carriage movement
14. Spindle Forward Button
15. Stop button
16. Lead screw nut engagement handle
17. Spindle Back Button
18. Handle for controlling the mechanical strokes of the carriage and caliper
19. Button for enabling fast movements of the carriage and support
20. Rear bike manual movement roller
21. Tailstock stop handle
22. Tailstock spindle locking pusher with quill
23. Flywheel for quick movement of tailstock quill
24. Handle for turning on the slow or fast movement of the tailstock quill
25. Tailstock quill slow movement handle
26. Tailstock Cross Screw
27. Tailstock quill locking handle
28. Handle for manual movement of the cutting slide
29. Power switch local lighting
30. Handle for turning and fastening the cutting head
31. Manual cross feed handle
32. Input switch
33. Spindle Intermittent Rotation Button
34. Spindle “Forward” button (duplicate)
35. Cooling Start Button
36. Cooling “Stop” button
37. Button “Machine disabled”

Kinematic diagram of a screw-cutting lathe model 165

Structural scheme lathe 165 (with kinematic diagram 2)

Kinematic diagram of screw-cutting lathe 165

The main movement is driven by an electric motor through a V-belt drive.

The gearbox provides the spindle with 24 different speeds of both forward and reverse rotation through kinematic chains according to table. 4.

The spindle is reversed by an electric motor.

Rotation is transmitted to shaft IX of the gearbox from the spindle through gears 21-22, 26-27 or from shaft V (when the step increase link is turned on eight times) through gears 16-24, 23-22, 26-27. Ball IX receives one or eight revolutions per spindle revolution, respectively.

The block of gears 25 and 28 is designed to change the direction of movement of the carriage when cutting threads.

The movement is transmitted to the feed box from shaft IX through replaceable gears 30-32-31.

The feed box communicates to the caliper through the overrunning clutch, the XXIII running shaft and the apron mechanism 32 longitudinal and transverse feeds.

The kinematic chain of longitudinal and transverse feeds is calculated using the formula

i = i cm * i k.p * i f

i cm - gear ratio of replaceable gears;

i gearbox - gear ratio of the feedbox;

i f - gear ratio of the apron.

The kinematic chains through which feeds are carried out are given in table. 5 for the feed box and in the table. 6 for the apron.

Threading is carried out through the kinematic chains of the feed box, given in table. 7. In addition, threading can be done by directly connecting the lead screw with replaceable gears, selecting the appropriate i cm (see Table 24). The range of feeds and threads is expanded when using an eight-fold pitch increase link.

The list of elements of the kinematic scheme (see Fig. 4) is given in table. 8, and the corrected gears - in Table 9.

Brief description of the 165 screw-cutting lathe

bed

The bed is the basic assembly unit on which all others are mounted Assembly units and machine mechanisms.

On the top of the frame there are three prismatic guides, of which the front and rear are the base of the carriage, and the middle one is the base of the tailstock.

Inside the frame there are inclined hatches for removing chips and coolant in the direction opposite to the workplace.

Under the left head part of the frame there are niches, in one of which the main drive electric motor is mounted, and in the other - an electric cooling pump with a coolant reservoir. The trough for collecting coolant is made monolithic with the frame body.

On the right side of the frame, on the front wall, there is mounted a bracket with built-in supports for the lead screw and the drive shaft and a fast-moving gearbox for the caliper with a flange electric motor.

To prevent sagging of the lead screw and the lead shaft, the machine with RMC 5000 has two suspensions.

Front headstock of screw-cutting lathe model 165

Front headstock of screw-cutting lathe 165

The front headstock is installed on the left head part of the frame, fixed with pins and secured with bolts.

The following are mounted in the headstock housing:

• gearbox
• spindle unit
• eight-fold step increase link
• mechanism for changing the direction of movement of the carriage when cutting threads
• spindle speed adjustment mechanism
• Lubrication system
• electrical cabinet

The spindle is mounted on three rolling bearings, of which the front and rear are adjustable.

A description of the adjustment of spindle bearings is given in the “Adjustment” section.

Adjustment of the spindle rotation speed, as well as adjustment for cutting right or left threads of normal or increased pitch is done by moving the gears along the splined shafts using handles located on the front wall of the front headstock (see Fig. 37 and Table 22).

The shaft splines and gear teeth are hardened and ground.

Enabling the step increase link is possible only when working with brute force.

Tailstock

The rear headstock moves along the frame guides from the manual gearbox by rotating the roller 26 (see Fig. 3).

The headstock is attached to the frame using two clamps with three bolts.

For rigid fixation in the axial direction, there is a stop in the rear headstock, which can be inserted into the cast cavities of the frame using handle 27.

The headstock body moves along the bridge in the transverse direction (see subsection “Regulation”).

A rotating spindle is built into the headstock quill, the front support bearings of which are adjusted using nuts.

Rapid movement of the quill is carried out by the flywheel 29. Locking is carried out by the handle 33.

Slow movement of the quill is carried out by handles 31 through a worm gear, activated by handle 30.

For drilling, countersinking and reaming, by turning the pusher 28, it is necessary to turn on the gear coupling, which rigidly connects the spindle to the quill.

The tailstock spindle has a slot for the legs of the tail cutting tool.

When changing the center or tool, the quill must be pushed into the headstock body as far as it will go. In this case, the pusher pushes the center or tool out of the spindle.

Caliper and carriage

The cross-design support has longitudinal movement along with the carriage along the frame guides and transverse movement along the carriage guides. Both movements are carried out mechanically (with working feed and using a quick movement mechanism) and manually.

The cutting slide, carrying a four-position tool holder, is moved manually along the guides of the rotating part, which can be rotated around a vertical axis to any angle.

The nut of the screw pair for the transverse movement of the caliper is composite and separated by an adjusting wedge. The adjustment of the gaps in the guides of the carriage, the rotating part, made by wedges, in the “screw pair of transverse” movement of the caliper is given in subsection 2.4. "Regulation".

Machine apron

The apron is a closed type with a removable front wall (lid).

The movement of the caliper group is transmitted by the apron mechanism from the drive shaft or lead screw.

Due to the presence of four electromagnetic clutches in the apron, control of the mechanical movement of the support group is concentrated in one handle 23 for controlling the mechanical strokes of the carriage and support (see Fig. 3), and the direction of activation of the handle coincides with the direction of feed.

By additionally pressing button 24 (see Fig. 3), built into handle 23, you can turn on the rapid movement of the caliper in the direction of tilting the control handle (23).

Thanks to the overrunning clutch built into the feed box, high speed can be activated when the feed is on.

The lead screw nut is split and is activated by handle 21 through a cam device.

To prevent simultaneous activation of the lead screw nut and the feed, there is an electromechanical lock.

A safety clutch mechanism is mounted in the apron, which prevents the machine from breaking due to overload. Its adjustment is given in subsection 2.4. "Regulation".

Gearbox

The feed box is a closed type with a removable front wall (lid).

The feed box mechanism allows you to get all the feeds and threads cut on the machine without having to change the settings of the replacement gears.

Set up the feed box for feeding or threading in accordance with table. 23 and 24 in the following order (see Fig. 3 and Fig. 38):

• move handle 10 to the “off” position
• move handle 14 to the “lead screw” position for cutting threads or to the “lead roller” position - to work with feed
• move handle 7 to one of three positions - “inch thread”, “modular thread”, “metric thread or feed”
• install handles 9, 12, 13 according to the table of feeds and threads on the required thread or feed, and to install handle 9 in the desired position, place the corresponding number on its disk under the pointer;
• move handle 10 to the “on” position

When setting up for cutting threads with a pitch of increased precision, connect the lead screw with gear couplings directly to the receiving shaft of the feed box in accordance with Table. 25 (see Fig. 39).

Replacement gears

A set of replaceable gears with i cm = 2/3, which makes it possible to obtain on the machine all the threads and feeds specified in the “Passport” section, is installed on the wall of the front headstock.

The design of the interchangeable gear mechanism provides for the possibility of installing other sets of gears.

Ammo

The machine includes a four-jaw non-self-centering chuck with a diameter of 1000 mm.

Lunettes

For processing non-rigid parts, the machine is equipped with two steady rests - movable and fixed.

Electrical diagram of a screw-cutting lathe model 165

Wiring diagram of universal screw-cutting lathe 165

Electrical equipment of machine 165. General information

The following electric motors are installed on the machine:

• main drive motor
• electric motor for rapid movements of the carriage
• cooling pump motor

The electrical equipment of the machine is powered from an alternating current network of 380 V, 50 Hz.

The 24 V DC control circuits are powered from a selenium rectifier D1 (single-phase bridge, see Fig. 14).

The 110 V AC control circuits are supplied from a step-down transformer.

The 24 V local lighting lamp is powered from a separate transformer.

All control equipment for the electric drives of the machine is mounted in the niche of the headstock and is listed in table. eleven.

The electric drives of the machine are controlled remotely, using push-buttons, and are carried out (see Fig. 17):

• from the control panel on the front headstock - PB
• from the control panel on the carriage - PC
• from the control panel on the apron - PF

The electrical equipment of the machine is connected to the workshop electrical network using an input circuit breaker (automatic switch) BA1 installed on the side wall of the headstock niche. The input is carried out with a wire with a cross-section of 10 mm2.

Protection of electric motors and control circuits from currents short circuit and overloads are carried out by automatic switches and thermal relays.

The values ​​of rated currents and values ​​of inserts of magnetic starters and relays are given in table. 12, 13.

Zero protection of the electrical equipment of the machine is carried out by opening the circuit. (closing) block contacts in the self-supply circuit of magnetic starters and relays when voltage disappears in the workshop electrical network.

Technical characteristics of lathe 165

Kate Moss, Cara Delevingne, Laetitia Casta - all these beauties have become famous throughout the world thanks to their successful career in the modeling business. Do you think they are all tall, long-legged and slender? But no! Well, of course, they are slim, but they are a bit short for supermodels. With a height of 1.70, you will be “oh” how difficult it is to persuade casting managers to take you to this or that show, filming or other project. Contrary to existing rules, these top models managed not only to convince agencies of their uniqueness, but also to build a dizzying career in the modeling business.

Height: 1.70. What she is famous for: first of all, for the fact that she is Kate Moss. =) But before she earned a “name”, Kate created the so-called. the trend for thinness “heroin chic”, and also shone at the shows of such brands as Calvin Klein, Louis Vuitton and Chanel.

Height: 1.73. What is famous for: One of the most read accounts on Instagram among the show business elite, as well as fashion shows at Saint Laurent, Burberry, Fendi, Chanel and other famous brands. Its growth at one time caused a lot of controversy among representatives of agencies and brand management. Kara herself assures that she still does not know her exact parameters and complains that even now they tell her that she is too short for a big podium.

Height: 1.71. What it's famous for: This American model, the face of Maybelline, is famous for her hot pink hair, which has become a trend among fashionistas on Tumblr. Yes, her height is only 1.71, but this did not stop her from becoming the star of the Chanel show (she even opened the show of the cruise collection 2015), as well as the face of Chanel eyewear.

Height: 1.70. Why she's famous: Georgia is the daughter of rock musician Mick Jagger and top model Jerry Hall. She followed in her mother's footsteps, despite her rather modest stature. She has repeatedly walked at Fendi, Louis Vuitton and Chanel shows.

Height: 1.65. What is famous for: the shortest model in the world. But this did not stop her from shining at the Chanel and Versace shows.

Height: 1.69. What is she famous for: has repeatedly shone at the shows of Victoria's Secret, Louis Vuitton, Roberto Cavalli and other brands, despite her small stature, Letizia is a favorite of many couturiers, including Dominico Dolce and Stefano Gabbana.

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